![]() “I make self-portraits regularly about one every year. “ Constructing the face with transparent layers of thinned wool creates depth, much like glazing in painting,” he writes about his process. Whether an intimate self-portrait or mischievous character outfitted with jackal teeth, the pieces are evidence of Khoshroo’s perceptive, nuanced practice. ![]() The figurative sculptures capture an array of emotions and vary in abstraction, sometimes using aqua rovings for lips and eyelids and others remaining more faithful to a subject’s features. He also has two residencies slated in 2022, which will culminate in exhibitions in Saint Paul de Vence, France, opening on May 1 and another in mid-October in London.Īll images © Salman Khoshroo, shared with permissionĬomplementing his series of raw wool portraits, Iranian artist Salman Khoshroo shapes chunks of dyed fibers into expressive busts. Some of Affotey’s figurative pieces are on view at both Arushi Gallery in Los Angeles and PM/AM in London through mid-March, and you can find more on Instagram. Now more bold, the recurring feature ranges from subtle halos around pupils to bright washes of pigment that spread across the sclera. Using a mix of acrylic and charcoal, Affotey also continues his signature red eyes, which reference his experience of being questioned about his lifestyle when he moved to the U.S. My work is a social commentary on this, asking the viewer to take a second look at what they read from my portraits and why. We’re often identified by what we’re compared to (or against). There’s no guarantee those things match the character underneath. So things like skin colour, clothing, accessories, background, setting, and pose dictate emotion. The first assumptions made about people are based on sight. The distinctions in color and fabric coincide with the figures’ facial expressions and gestures, all of which the artist uses as a prompt. Similar to artist Otis Kwame Kye Quaicoe, Affotey renders his subjects’ skin in shades of gray and dresses them in vibrant garments and patterned accessories. His works are large in scale and rich with texture, and he often sets figures against solid, monochromatic backdrops with visible brushstrokes. ![]() In his sensitive, introspective portraits, Ghanaian artist Annan Affotey ( previously) sharpens the contrast between soul and appearance. Explore more of her introspective works on Instagram.Īll images © Annan Affotey, shared with permission Joshi has a solo show slated for December at Thinkspace Projects, and “Delicate Veil of Being” is available as a limited-edition print in her shop. “In a way, they are an extension of myself, portraits of emotions, explorations of unanswerable questions, a way for me to grasp at the immensity of life.” In comparison to her earlier series, Joshi’s most recent pieces rely more heavily on shades of blue and use more subtle gradients to contour a leg or elbow.Ī reference to self-portraiture and a subversion of traditions surrounding nude figures, each of the works is “a means of reflection, a way for me to distill down the tangible and intangible experiences of my life,” she says. The Vancouver-based artist renders anonymous figures in motion, whether dancing together or gracefully gliding through water, on their search for greater autonomy and fulfillment unobscured by political, cultural, and social impositions. With long, elegant fingers and brawny limbs, the women that define Hanna Lee Joshi’s gouache and colored pencil works move through the unknown and indiscernible with strength. All images © Hanna Lee Joshi, shared with permission
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